| Atkinson, Kevin |
1978 |
A study in the personal usage of universal symbols towards a reconciliation between art and life. |
MA (FA) |
| Younge, James Gavin Forrest |
1987 |
The mirror and the square: a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953. |
MA (FA) |
| Chetwin, Margaret Jill |
1987 |
A re-assessment of ornament as a sculptural element |
MA (FA) |
| Stevenson, Michael |
1988 |
The South African art index, 1971–1988 |
B.Bus.Sc. |
| Ratcliffe, Jo |
1988 |
Nadir: a graphic interpretation of dispossession and aspects of conflict |
MFA. |
| Murray, Brett |
1988 |
A group of satirical sculptures examining social and political paradoxes in the South African context. |
MFA. |
| Pissarra, Mario |
1991 |
Criticism and censorship in the South African "alternative" press with particular reference to the cartoons of Bauer and Zapiro (1985-1990) |
Hons. History of Art. |
| Payne, Malcolm |
1992 |
Form and the picturing of mining: an epistemology of form with special reference to the explication of iconography |
MFA |
| Baholo, Keresemose Richard |
1994 |
A pictorial response to certain witchcraft beliefs within Northern Sotho communities |
MFA |
| Langerman, Fritha |
1994 |
The dissection: An examination of the printmaking tradition as a means to reconsider the relationship between the human body and its representation |
MFA |
| Nolte, Jacqueline Elizabeth |
1994 |
Figurative art in Soviet Russia circa 1921-1934: situating the realist-anti-realist debate in the context of changing definitions of proletarian culture. |
MA (History of Art) |
| van der Schijff, Johann |
1994 |
An electronic laager: a sculptural interpretation of post-industrial society's cybernetic order. |
MFA |
| Dickerson, Brendhan Bailie |
1995 |
Magical realism and subjective reality : an investigation of poetic symbolism and the development of related sculptures. |
MFA |
| Clark-Brown, Peter Gabriel |
1995 |
A graphic interpretation of some social constructions of disability. |
MFA |
| Bull, Katherine Gay |
1998 |
Positioning the Cape: a spatial engraving of a shifting frontier. |
MFA |
| Von Solms, Charlayn Imogen |
1998. |
Hermetic heresies: a sculptural revision of the iconography of the classical muse. |
MFA |
| Daehnke, Nadja |
1999 |
Unfinished man: questioning difference through the pictorial recontextualisation of socio-medical documents. |
MA |
| McLeod, C. |
2000 |
No Title |
MFA. |
| Torres, T.N |
2000 |
No Title |
MFA. |
| Sobopha, Mgcineni |
2001 |
Skins, scars, blankets and blood: a pictorial response to the tensions and conflicts that arise from the representation and the practice of Ulwaluko in contemporary South Africa. |
MFA. |
| Simon, Janet |
2001 |
Memoria: an exploration of longing, desire and transcience in the everyday |
MFA. |
| Pearce, Robyn |
2001 |
The empowered body: creative expression as a force for personal transformation |
MFA. |
| McCauley, Kevin Taylor |
2001 |
The cosmic tantrum |
MFA. |
| Kimani, M. |
2001 |
No Title |
MFA. |
| Isaacs, N. |
2001 |
No Title |
MFA. |
| Coleman, Wendy |
2001 |
Matter and spirit: early 21st century funeral urns for the quick and the dead |
MFA. |
| Lomofsky, Lynne |
2002 |
Body of evidence. |
MFA. |
| Riley, Eustacia |
2002 |
Simulacra: constructing narrative in the studio tableau. |
MFA. |
| Nichol, Catherine |
2002 |
Claiming process: a strategy of production in approaching notions of self, biography and community in painting. |
MFA. |
| Qangule, Thembeka |
2003 |
Claiming, breaking and creating: a visual response to the experience of constructed social and spatial constraints. |
MFA. |
| Spengler, Jonathan |
2003 |
Shifting ground: an investigation into an aesthetic of change in the form of a cycle of mural paintings. |
MFA. |
| Thorne, Jessica Louise |
2003 |
The choreography of display: experiential exhibitions in the context of museum practice and theory. |
M.Phil.(FA) |
| Clark, Julia Rosa. |
2004 |
Classroom facilities: a body of creative work exploring representations of knowledge through schematic means. |
MFA. |
| Grobler, Nicola |
2004 |
The enigma machine: unravelling the domestic experience. |
MFA. |
| Higgs, Jo |
2004. |
Video, memory and identity: my body, my history. |
MFA. |
| Lilla, Qanita |
2004 |
"The advancement of art": policy and practice at the South African National Gallery, 1940-1962. |
MA. |
| McInnes, Jacqueline Helene |
2004. |
Salt in the wound: a visual exploration of societal and experiental aspects of female reproduction and abortion. |
MFA. |
| Sauls, Roderick K. |
2004 |
Identity: a study of representation with reference to District Six. |
MA |
| Van der Byl, Gretchen |
2004 |
Other observations. |
MA |
| White, Ernestine Bianca |
2004 |
There's no place (like home): a graphic interpretation of personal notions of home and displacement. |
MFA. |
| De Greef, Niek |
2005 |
Zeegezichten/ seascapes: navigating the picture plane. |
MA (FA) |
.
| Geanotes, Alyxia |
2005 |
"Don't look at the camera!": an investigation into directorial methodologies and practise used when working with child actors in film. |
MA. |
| Gulab, Nalisha |
2005 |
Mis-education: subversion of female roles in Catholic religious depictions. |
MA (FA). |
| Kolodny, R.L. |
2005 |
Towards an anthropology of photography: frameworks of analysis. |
MA. |
| Stretton, Pamela Jayne |
2005. |
The encoded body: hearing the text, decoding the sign: the boy and meaning in the case of anorexia nervosa. |
MA. |
| Verwey, Adala Michelle Prévost |
2005 |
Mute articulations representing the body when the self isn't what it used to be |
MA. |
| Young, Ed |
2005 |
I can explain: the work of art is no longer necessary. |
MA. |
| Kasibe, Wandile Goozen |
2006 |
Malundeness, personal memory and the diaspora: politics of the skin. |
MA |
| Maggs, Charles |
2006 |
Cirque du Pan: panic circuit : an exploration of the accelerative effects of information communication technology. |
MA (Film and Media Studies) |
| Michael, Michael John |
2006 |
Ex nihilo: emptiness and art. |
MA (FA). |
| Rynn, Sarah |
2006 |
Reprocessing interference: an artistic exploration of the visual material generated by interference. |
MA |
| Van der Westhuizen, Cara |
2006 |
Venus revisited: reflecting sights. |
MA. |
| Van Niekerk, Elsabé |
2006 |
The pioneering spirit in the face of mystery: a creative exploration of phenomena pertinent to the information age in a systems paradigm. |
MA. |
| Mntambo, Nandipha |
2007 |
Locating me in order to see you. |
MA. |
| Nowicki, Andrzej Jan |
2007 |
The gloaming: narrative in contemporary painting |
MA. |
| Sacks, Ruth |
2007 |
Filling in the gaps |
MA. |
| Wildenboer, Barbara |
2007 |
Present absence |
MA. |
| Cilliers, Pieter Lafras |
2008 |
Usurping architecture: sculptural resistance to the built environment. |
MA. |
| Holleman, Renée |
2008 |
Erratum: an exploration of language, the fragmetary, and the gaps in the narrative of the everyday. |
MA. |
| Khoury, Milia Lorraine |
2008 |
Erasing the object : sculptural manoeuvres into the sublime. |
M.Phil (FA). |
| Molema, M. |
2008 |
Layering time : the representation of tradition in contemporary multimedia performance. |
MA. |
| Simonson, Karina |
2008 |
Creation of fictional community |
MFA. |
| Stupart, Linda |
2008 |
I love you to death the voice of the woman artist: sex, violence, sentimentality. |
MA. |
| Ward, Karla |
2008 |
A depiction of the ghetto in feature film: a cinematic platform for confronting contemporary representations of ghetto occupancy. |
MFA. |
| Altchuler, J. |
2009 |
Between forever and never : the photograph as a bridge between past and present; memory and it's fiction, 1981-2009. |
MFA. |
| Bird, S. |
2009 |
The grapes of wrath: sculpture as socio-political critique in South Africa. |
MFA. |
| Brett, J. |
2009 |
Out of sight: re-imagining Graaff's pool. |
MFA. |
| Matindike, Tashinga |
2009 |
14 ways to remember Nzira gumi nena dzekuyeuka: exploring and preserving memories. |
MFA. |
| Price, C. |
2009 |
Stock. |
MA (FA). |
| Saptouw, Fabian |
2009 |
The production |
MFA |
| Scadden, David |
2009 |
The road to heaven. |
MA (FA). |
| Burger, Francis |
2010 |
The indulgence and exhaustion of the meaningless voice. |
MFA |
| Cilliers, Ryna |
2010 |
An archaeology of self. |
MA (FA). |
| Dickerson, Catherine |
2010 |
Salvaging meaning: exploring the language of inflatable kinetic sculptures and the materiality of plastic. |
MFA. |
| Nesbitt, Robyn |
2010 |
Not today, but tomorrow. |
MA (FA). |
| Rust, Elgin |
2010 |
Redress-un-dressed: Advocate Alice presents: R v JR 2010 |
MFA. |
| Washkansky, Dale |
2010 |
A space between: contemplating the post-Holocaust subject. |
MFA. |
| Bezuidenhout, Vincent |
2011 |
Separate amenities: topographics of recreational spaces in South Africa. |
MFA. |
| Deane, N. |
2011 |
A heritage of secrets: on how to no. |
MFA. |
| Edwards, Dominique. |
2011 |
The distance between us. |
MFA. |
| Ginsburg, Josh |
2011 |
Walkabout: 2009 - 2011 |
MFA. |
| Jorgensen, C. |
2011 |
No Title |
MFA. |
| Liebengerg, N. |
2011 |
No Title |
MFA. |
| Norman, Natasha |
2011 |
Further fictions in print. |
MFA. |
| Palte, Lauren |
2011 |
A wounded surface: dissolving the human form. |
MFA. |
| Prinsloo, Monique |
2011 |
Falling into gentle ruin. |
MFA. |
| Purvis, Bryony |
2011 |
Between echoes: an experiment in creative collaboration. |
MFA. |
| Roussouw, Chad |
2011 |
A history of failure. |
MFA. |
| Scholtz-Hofmeyr, Renzske |
2011 |
The farm. |
MFA. |
| Spindler, Katherine |
2011 |
At sea: documentation and commentary on the body of practical work submitted for the degree of Masters of Fine Art. |
MFA. |
| Viljoen, Sunette |
2012 |
Avant lounge exotica. |
MFA. |
| Zimmer, Niklas |
2012 |
Jazz contacts: envisaging Basil Breakey's photographic remains beyond the archive |
MFA. |
| Butcher, Clare |
2012 |
The principles of packing a case study of two travelling. |
MFA. |
| Dooley, Jeffrey |
2012 |
Revisiting the future. |
MFA. |
| Grobler, Isabelle Christine |
2012 |
The cannibals' banquet. |
MA (FA) |
| Higgins, Josephine |
2012 |
Seeing death: portraiture in contemporary postmortem photography. |
MA (FA) |
| Jenks, Peter |
2012 |
An unknown city |
MA (FA) |
| Joubert, Jill |
2012 |
Apple girl: ingesting and transforming Apple girl from fairy tale into sculpture and performancee. |
MA (FA) |
| Kellner, Clive |
2012 |
Representations of the black subject in Irma Stern and African periods: Swazland, Zanzibar and Congo 1894-1955. |
MFA. |
| Leibbrandt, Tim |
2012 |
Intramediary presence: body, interactivity and networked distribution in immersive virtual reality art. |
MFA. |
| Mahashe, George |
2012 |
Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III. |
MA. |
| Müller, Ceri |
2012 |
Release me. |
MA (FA). |
| Putter, Andrew |
2012 |
Native work: an impulse of tenderness |
MFA. |
| Gauntlett, Alice |
2013 |
Out-of-place. |
MFA. |
| Simons, Bridget Anne |
2013 |
An irreal realm: painting as a means of reflecting on oneirism. |
MFA. |
| Langerman, Fritha |
2013 |
The exploded book: A disarticulation of visual knowledge systems within sites of natural history display. |
PhD (Fine Art) |
| Van der Merwe, Darren |
2013 |
The Printer's Grey: alchemy, ritual and performance in fine art printmaking. |
MFA. |
| Walters, Ashley |
2013 |
Uitsig. |
MFA. |
| Groenewald, Madeline |
2014 |
Variations on a theme by John Herschel. |
MFA. |
| Barben, Marc Walter |
2015 |
What does it mean to be a 'national' gallery when the notions of 'nation' transform radically?: An analysis of the Iziko South African National Gallery's practices and policies in historical context. |
MFA. |
| Brown, Jessica Natasha |
2015 |
Ethics of the dust: on the care of a university art collection. |
MFA. |
| Conradie, H. |
2015 |
Spore: tracing threatened indigenous flowers in the Breede River Valley. |
MFA. |
| Duncan, Suzanne |
2015 |
Dust imagined: a creative reflection on anxiety, morality and process. |
MFA. |
| Gauld, Qanta |
2015 |
Desperate whispers: empathy in the context of an ecological crisis |
MFA. |
| Karakashian, A. |
2015 |
Shifting grounds: an investigation into contemporary landscape representation. |
MFA. |
| Knoetze, Francois |
2015 |
Cape Mongo. |
MFA. |
| Mbikayi, Maurice |
2015 |
Fashionable addiction : the impact of digital identity through the cult of the body (an African perspective, with particular reference to the Democratic Republic of Congo). |
MFA. |
| Mehrabanbaghbadorani, S. |
2015 |
Retracting memories: personal and public histories in contemporary Iran. |
MFA. |
| Bolton, Ingrid |
2016 |
Crossing the Ecoline: a visual response to increasing levels of ocean acidification |
MA (Fine Art) |
| Bloch, Joanne |
2016 |
Letting things speak: a case study in the reconfiguring of a South African institutional object collection. |
PhD (Fine Art) |
| Macdonald, James |
2016 |
Tracing the passion of a black Christ: critical reflections on the iconographic revision and symbolic redeployment of the Stations of the Cross and Passion cycle by South African artists Sydney Kumalo, Sokhaya Charles Nkosi and Azaria Mbatha. |
Master of Arts (Fine Art) |
| Pelser,Suraya |
2018 |
(De)Constructing worlds: high Modernism, architecture and photography |
Master of Fine Art |
| Abraham, Catherine |
2019 |
A deeper kind of nothing |
MA (Fine Art) |
| Mahashe, Tebogo George |
2019 |
MaBareBare, a rumour of a dream |
PhD(Fine Art) |
| Zenzile, Mawande |
2019 |
Decolonizing visualities: changing cultural paradigms, freeing ourselves from Western-centric concepts. |
Master of Arts (Fine Art) |
| Zaayman, Carine |
2019 |
Seeing what is not there: figuring the anarchive |
PhD(Fine Art) |
| Weber, Deborah |
2020 |
How does collective practice function as an artistic strategy. |
Master of Arts (Fine Art) |
| Visagie, Morne |
2020 |
The last colour to fade. |
Master of Fine Art |
| Minnie, Heinrich |
2020 |
Homunculi of the Digital City. |
Master of Fine Art |
| Labuschagne, Emily |
2020 |
Masters, Master, Masturbate (A master's debate) - Relooking at the Home, Body and Self through Seventeenth Century Dutch Still Life Painting. |
Master of Fine Art |
| Somdyala, Inga |
2020 |
ILIZWE LIFILE. |
Master of Fine Art |
| Meyer, Garth |
2020 |
Borderlands and Political Ecology: A photographic exploration of the environment, territories, boundaries and power near the imaginary line of the equator. |
Master of Fine Art |
| Carew, Nina |
2020 |
The recipe book and the construction of female domestic identity: a historical inquiry |
Master of Arts (Fine Art) |
| Phetogo, Thebeyame |
2020 |
BOGASATSWANA: Redbuilding the Boat while Sailing. |
Master of Fine Art |
| Fortuin, Sam Seth |
2022 |
Aba té Home: Journey to Robben Island. |
Master of Fine Art |
| Hambsch, Oliver |
2022 |
Absent Presence: an exploration of memory and family through printmaking. |
Master of Fine Art |
| Liebenberg, Nina |
2022 |
The virus and the vaccine: curatorship and the disciplinary outsider |
Master of Fine Art |
