LibGuides: Hiddingh Hall Library Guide: Recent Masters and PhD theses by Drama students

Hershler, L. 2011. Porosity at play: investigating the role of the facilitator in the training and performance of masked theatre. MA (Theatre & Performance)

Hirsch, A. 2008.

Hughes, S. 2013. Complex associations : facilitator, host and refugee, a 'round-about' way of drama for inclusion.

MA (Applied Drama & Theatre Studies).

Jephta, A. 2012. Free falling bird : an encounter with the Trojan women of Euripides. MA (Drama)

Jusa, J. 2007. Challenging the structures of power : an introduction to Citizen Theatre. MA (Theatre & Performance)

Kabwe, M. 2008. Towards performing an afropolitan subjectivity. MA (Theatre & Performance)

Kawitzky. R. 2016. Working theory: an analysis of the use and misuse performance tools. MA (Drama)

Keevy, J. 2007. Exploring the tension between Coleridge's Poetic Faith and disbelief in the metatheatrical strategies used in a Mask, a Key and a Pair of Broken Wings. MA (Theatre & Performance)

Kirch, M. 2008. Generative dramaturgy : a strategy for refocusing directorial intent in the translation phase of play development. MA (Theatre & Performance)

Koff, R. 2005. Tamarind. MA (Theatre & Performance)

Kokot, K. 2005.

Kowen, J.T. 2005.

Kweyama, M. 2014. Bringing dance into the realm of theater: making sense differently for actors and audiences. MA (Drama)

Leffler, E. 2008. Devising dialogue : structuring intercultural encounters through the process of workshop theatre. MA in Drama

Louw, I. 2013. From designer through space to spectator: tracking an imaginative exchange between the actants of a scenographic event. MA (Drama)

Maedza, P. 2013. Theatre of Testimony: an investigation in devising Asylum. MA (Drama)

Mahali, A. 2009. Piercing together a girlhood: (re)visiting memories of site using nostalgia as a catalyst for coping with utopia. MA (Drama)

Mahali, A. 2014. A Museum of Bottled Sentiments: the 'beautiful pain syndrome' in twenty-first century Black South African theatre making. PhD (Drama)

Marrier D'unienville, K. 2016. "Let's put on our teaching face": an investigation of teaching styles and their skillsets. MA (Drama)

Marneweck, A. 2004. Maladamatjuate and the theatre of difference : staging the female body in South Africa. MA (Theatre & Performance)

Marneweck, A. 2012. Plot 99 towards a feminine semiotic spiritual and sexual emergence(y) in women's puppetry and visual performance. Ph.D (Drama)

Marx, L. W. 2008.

Matchett, S. 2005. Breathing space : cross-community professional theatre as a means of dissolving fixed geographical landscapes. MA in Theatre and Performance

Machett, S. 2015. Breath-Body-Self: an exploration of the body as a site for generating images for performance making. PhD (Drama)

Mbele, O. 2015. Township theatre-making as a developmental tool for Khayelitsha youth: an applied theatre study from an ethnographic perspective. MA (Drama)

Mbothwe, M. 2008. An African Dream Play = Isivuno Sama Phupha : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre. MA (Theatre & Performance)

Morris, G. 2010. Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town. Ph.D (Drama)

Muftic, S. 2006.

Mwange, S. 2016. Process drama: affecting the second language learning classroom. MA (Drama)

Postlethwaite, R. 2014. Exploring the field of autobiography through live art practice: The frieze, The anatomy lecture theatre and The Security hut. MA (Drama)

Price, A. 2008. Identity and difference without opposition : constructing and exposing strategic subjectivities for social comic comment. MA in Theatre and Performance.

Pupa, B. 2014. Facilitating engagement with the challenges facing families in which there may be members with special needs: positing a model for theatrical intervention. MA (Drama)

Rademeyer, P. 2011. Breaking Heterosoc, Making a queerworld: using a queer directorial aesthetic to re-envision Hedda Gabler. MA in Theatre and Performance

Reznek, J. 2012. Moving ideas about moving bodies : teaching physical theatre as a response to violence and the violated body. MA (Drama)

Seabe, L 2012. Performing the (un)inherited language, identity, performance. MA in Theatre and Performance

Singer, J. 2009. Female vocality: sounding, hearing, and structures of feeling re-framed. MA (Theatre & Performance)

Stockil, E. 2008.

Stopford C. 2013. Mise en scene as a feminine textual body: making meaning in new plays. MA (Drama)

Streek, K. Collaborating in No man's land : an enquiry towards creating an environment for 'equal' collaboration between international partners in an applied theatre project. MA (Drama)

Sulcas, G. 2006. An exploration of the relationship between applied theatre and community building practice, with specific reference to a teenage pregnancy project in Delft. MA (Drama)

Taub, M. 2004. Playing with/in history : an investigation of fragments and methods of their assemblage in the composition of historical dramatic narrative. MA (Drama)

Taub, M. 2008. Lessons from an aftermath : recovery of the self through trans-disciplinary applied drama practice. Ph.D (Drama)

Triegaardt, A. 2011. One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival. MA (Film & Television Production)

Tshazibane, M. 2012. Chosi Ntsomi! making a Xhosa theatre identity by adapting Nongenile Masithathu Zenani's folktale about a rite of passage for Xhosa girls. MA (Theatre & Performance)

Unwin, C. 2012. Dramatization and philosophy of history in Orange Book explication of a site-responsive work and its research. MA (Theatre & Performance)

Van Heerden, P. 2004. Trek : hitchhiking on the ox-wagon of destiny : voortrekker, draadtrekker, saamtrekker. MA in Theatre and Performance

van Wyk, K. 2015. The Whiteface and the Auguste: the integration of structure and spontaneity in contemporary clown theatre performance. MA (Drama)

Wilsenach, C. 2013. An examination of the relation of scientific thought to changing notions of time, space and character in 20th century drama: Chekov, Beckett, Foreman. MA (Drama)

Woodward, S.J. 2005.

Younge, J. 2007. Creating resonance in emptiness with visual theatre : how the metaphorical potential of puppets, objects and images in theatre can be used to explore the constructed nature of reality and the complexity of the self. MA in Theatre and Performance.

Youngleson, P. 2009. Recommencing reality : the intersection of public and private identity in performative contexts. MA (Theatre & Performance)